Parsvanath Temple is the biggest of the Jain Temple in the southeastern gathering of the temple region of Khajuraho. It is additionally one of the finest in the aggregate sanctuary complex. Measuring 65.6′ by 36′ (20m x 11m), it exists in a walled nook and is noted for the accuracy of its development and its perfectly etched figures. The most captivating side of the engineering of this temple is the tasteful mix of Hindu, muslim and Buddhist styles. The temple has a strong external divider adorned with three groups of effortless models portraying Demi Gods. More figures can be found on the external face of the sanctum, delineating ‘Apsaras’ in an assortment of stances. The temple was initially devoted to the god Adinath, yet in the late nineteenth century a statue of Tirthankara Parsvanath was introduced there. The highlights of the temple are the figures on the northern external dividers.

Kandariya Mahadev Temple is a standout amongst the most forcing structures in the Western gathering of Khajuraho, an UNESCO World Heritage Site. It is the biggest and the most wonderful temple in the entire complex. Devoted to the Hindu Lord Shiva, this venerated hallowed place was worked by Vidyadhara – a capable Chandela ruler. The magnificent craftsmanship of around 900 models, reflected in the amazing and refined design of the sanctuary, gives a knowledge into the city’s imperial past. As opposed to the complicatedly cut outside, the insides are very straightforward with a lovely Shiva Linga in the garbha graha. There are six compartments in the sanctuary, to be specific corridor, transept, colonnade, sanctum, vestibule and mobile. The design of the Kandariya Mahadev Temple is very novel. You can see stunning statues and outlines of apsaras, dikpalas and surasundari here. The delightfully etched roofs and the external dividers with three even boards highlighting gods of the Hindu pantheon outline the unceasing magnificence of Khajuraho.

Lakshmana temple is a striking sanctuary stands confronting the Varaha and Devi mandaps. lt is one of the three biggest sanctuaries of Khajuraho and the Western Group and is thought to be the soonest (c. Promotion 954) to have been worked by the Chandella rulers. The sanctuary confronts the east and is committed to Vishnu, by a fairly unseemly name of Lakshman, the sibling of Ram, the legend lord of the epic lyric Ramayana. The Temple is as tall as it is long, measuring around 25.9 meters in length. lt is raised on a high stage which likewise makes them intrigue figures imperial parades, that you can see before rising the temple stairs. Moving dependably around a sanctuary a clockwise way, the band of figures unfurl like a ceaseless picture scroll. Along the thin southeast side section are sensual boards of sexual customs: of a man occupied with intercourse with a steed, a superb ruler being fanned by a female orderly and other court scenes.

The Adinath Temple, devoted to Jina Adinatha is littler and less complex than the Parsvanatha Temple and is found promptly to its north. It is a nirandhara temple of which just the sanctum and vestibule have survived. In the polish of plan and outline it takes after the Vamana sanctuary. The top of the vestibule merits particulars see for its rich outline and adornment. The temple is assignable to the late 11th century A.D. Truth be told, the main imperative contrast between them lies in the enrichment of the top line of the external divider, which on account of the Vamana indicates precious stones in specialties yet speaks to here a lively band of flying vidyadhara, likewise found on the Javari, Chaturbhuja and Duladeo sanctuaries. As its sikhara is not as squat and substantial as that of the Vamana however demonstrates better extents, it seems, by all accounts, to be marginally more advanced and to some degree later in date than the Vamana. This is likewise validated by its sculptural style. This sanctuary is supported round by three groups of rich models including enchanting sura-sundaris. The main specialties of the external veneers contain pictures of Jaina yakshis.